First off: I recently received word that that the trade paperback edition of The Lord Came at Twilight is now in stock and shipping from Dark Renaissance. An e-book is forthcoming and will be made available through Amazon shortly. In the meantime, you can find copies of the now-sold-out limited edition in a couple of places online, including Bad Moon Books and Ziesings.
New reviews of the collection currently appear in the most recent issues of Rue Morgue Magazine and Wormwood from Tartarus Press.
In Rue Morgue, Dejan Ognjanovic writes:
“The stories of Daniel Mills are old school in the best sense of the phrase – namely, they are atmospheric, nuanced and filled with a lurking fear that is rarely seen in modern horror fiction. The shadows of literary giants such as Nathaniel Hawthorne and H.P. Lovecraft are very much alive in the author’s clear sense of the haunting past and the beguilingly beautiful landscape of New England.”
In Wormwood, Reggie Oliver writes:
“Mills has a poetic and visionary style of his own, capable of uncovering the beauty in horror and the horror in beauty… The Lord Came at Twilight is a significant and sophisticated contribution to modern weird fiction.”
Oliver is the undisputed master of the modern Jamesian ghost story and one of my favorite writers, full-stop, the author of The Dracula Papers and a number of stunning short story collections. One such collection, 2011's Mrs Midnight, includes “The Brighton Redemption,” my favorite contemporary ghost story, which weaves elements of the real-life Constance Kent case into a densely layered and deeply sad tale of murder, guilt, and redemption.