Monday, August 17, 2015

2015 NecronomiCon Providence

NecronomiCon 2015 is this upcoming weekend in Providence, RI. 2013's NecronomiCon ranks among my favorite convention experiences to date and so -- despite the rather hectic nature of life post-fatherhood -- I am pleased to say I will once more be in attendance as a guest.

My schedule for the weekend is shown below. Apart from the events below you can probably find me in the dealer room, round the gaming tables, or at the hotel bar. Very much looking forward to catching up with auld acquaintance and to making many new friends as well.

Also: be sure and keep an eye out for The Doom that Came to Providence, a limited edition booklet which will be available only at the convention and includes my 1,000-word short-short “The Breaking.”

Friday, August 21, 2015
4:00 pm - 5:15 pm
L’Apogee, Biltmore 17th Floor.
With Laird Barron, Sean Hoade, Daniel Mills, and Robert Waugh

Saturday, August 22, 2015
9:00 am - 10:15 am
Garden Room, Biltmore 2nd Floor.
An examination of Lovecraft’s Dreamlands and the characters, creations, and places therein. With Richard Gavin, Cody Goodfellow, John Langan, Dan Mills, Jason Thompson. Moderator: Simon Strantzas

2:30 pm - 3:45 pm
Grand Ballroom, Biltmore 17th Floor.
Thanks to the television show True Detective, and the work of Chambers enthusiasts like Joe Pulver, this long-forgotten writer is better known than ever before. But what EXACTLY is “The King in Yellow” and why is it important? This panel discusses Chambers’ trail-blazing book, what effect it might have had on Lovecraft, and why it is gaining more readers today. With Richard Lai, Dominique Lamssies, Tom Lynch, Daniel Mills, Joseph Pulver. Moderator: Alex Houstoun.

4:00 pm - 5:15 pm
L’Apogee, Biltmore 17th Floor.
Aickman’s Heirs author readings and discussion
Aickman’s Heirs is an anthology of strange, weird tales by modern visionaries of weird 
fiction in the milieu of Robert Aickman, the master of strange and weird tales. Join editor Simon Strantzas and contributors Michael Cisco, Richard Gavin, John Langan, David Nickle, Daniel Mills, and Michael Wehunt for short readings, snacks, and a book signing.

Thursday, June 25, 2015

Spring Snow

Website exclusive: this short prose poem consists of four roughly-metered sections corresponding to the seasons and inspired by my admiration for the sonnets of E.A. Robinson.

He came down the mountain, the girl on his back—his daughter, we said, for she looked so young—and him stooped and shuffling, hobbling along, grown brittle with years and palsied with lack. None would shelter him though he walked for miles down streets of huddling shacks and passed beyond the smokeless stacks of the brick factory. He never talked. The spring snow flew, more gray than white, then red the weeds in which he lay. He smiled, dead, and on his chest we saw those poppies laid. The girl? Of her we had no sight but heard (we thought) a crying child, and flowers filled the tracks she made.

White violets first, then lilies, returning of a year, while roundabout cedars twisted and spread like moth-wings laced to roof over the heads of girls who went to pick the blossoms there. Among them was my youngest Anne and Rose her older sister: she passed beyond the summer grove and met the boy who went unclothed and laughing chased him through the trees. When Anne came back, she was alone and begged for me to rise and go with her before the dusk-light died. We fled outside down dusty roads and found Rose where the lilies grow, asleep, but with such dreams behind her eyes.

The leaves were on the ground. He knocked and set the dogs to barking and sent me downstairs in my stockings to crack the door, to peer outside. His talk was soft and smooth and fine as was his coat of rabbit’s fur, his gray silk suit and tie, but his hair was black and tangled, dry, and I knew what he’d come back for. They wed before the roaring hearth with Rose dressed up as for a death and glowing like the sun through rain. Her moaning woke me in the dark. She screamed, it seemed, and stole my breath, as at her birthing years ago, and all her mother’s pain.

Her light we glimpsed that night alone though white as snow sufficed to burn the soul from him who had returned and scorch the marrow in his bones. Or so we said, for such the change we saw in him as winter fell and bent him fast so none could tell the weight he wore about him like great age. Then came the New Year and the storm when snowfall swam out of the trees and breached the ground in fountains as they left. I listened to their steps resound, the echoes breaking east from town and making for the mountain.

Monday, January 12, 2015

2014: Year in Review

A couple of weeks late, perhaps, but my 2014 Year in Review is up over at Geek Mountain StateHere's a small sample:
It was a fairly eventful year, professionally. However, the accomplishments I’ve described above were all eclipsed in the autumn by the birth of my first child — an event that transfigured my life utterly, leading me to redefine myself as a husband and father. The transition to fatherhood was a beautiful one, if also challenging, and I was fortunate enough to be surrounded by family and friends throughout, all of whom proved incredibly patient and kind. The horror community was likewise supportive, to the extent that I often found myself staring at my computer screen, dazed and dizzied with gratitude. To all of you: thank you.
Check out the rest of the article here.

Tuesday, December 2, 2014

December 2014: Recent Appearances

A few brief updates as the year winds down:

I was recently featured as Author of the Week at The Lovecraft eZine, probably the premiere site on the Internet for all things Lovecraftian. In this brief interview I discuss my background and share my thoughts on Weird Fiction as the literature of despair:

"Beauty from terror, terror from beauty: the awe we experience in such moments becomes its own victory over despair — perhaps the only victory possible."

Mike Davis at the eZine was also kind enough to run this short article detailing my somewhat complicated relationship with my favorite writer: HP Lovecraft. With the recent controversy over the World Fantasy Award, the disputes over Lovecraft's legacy have turned particularly contentious of late, prompting me to reflect on the reasons I love his work so much despite its flaws:

"His style is unconventional, to be sure, but in its baroque stylings, I see an effort to create and capture something of beauty out of an otherwise overwhelming pessimism and despair."

On November 28 Pseudopod released a reading of my short story "The Photographer's Tale." The story first appeared in Theaker's Quarterly Fiction 36 and is currently available in The Mammoth Book of Best New Horror 23 and in my own collection The Lord Came at Twilight. Have a listen here.

Finally the past few months have seen new reviews of The Lord Came at Twilight appear in a couple of places, including The Creature Feature Tomb of Horror and Black Static #42.

From the Creature Feature Tomb of Horror:

"Reminiscent of the ghostly tales of Hawthorne or Irving seasoned with a heady dash of Lovecraftian cosmic terror… This is a stunning collection of weird fiction that follows in the venerable footsteps of the great practitioners of weirdness, but which also plows fresh fields of horror in the cosmic tradition."

In Black Static #42, reviewer Peter Tennant writes:

"Finally we have the title story ‘The Lord Came at Twilight’ in which a mad nobleman builds a great amphitheatre and stages games that are attended by all except those at the local monastery... Again, as with so many of these stories, it is a wonderfully evocative piece, rich in detail and with a feeling of arch weirdness, so that we are unsettled even though we are not quite clear what has actually happened, and perhaps for that very reason."

Thursday, May 15, 2014

The Lord Came at Twilight - Recent Reviews

First off: I recently received word that that the trade paperback edition of The Lord Came at Twilight is now in stock and shipping from Dark Renaissance. An e-book is forthcoming and will be made available through Amazon shortly. In the meantime, you can find copies of the now-sold-out limited edition in a couple of places online, including Bad Moon Books and Ziesings.

New reviews of the collection currently appear in the most recent issues of Rue Morgue Magazine and Wormwood from Tartarus Press.

In Rue Morgue, Dejan Ognjanovic writes:

“The stories of Daniel Mills are old school in the best sense of the phrase – namely, they are atmospheric, nuanced and filled with a lurking fear that is rarely seen in modern horror fiction. The shadows of literary giants such as Nathaniel Hawthorne and H.P. Lovecraft are very much alive in the author’s clear sense of the haunting past and the beguilingly beautiful landscape of New England.”

In Wormwood, Reggie Oliver writes:

“Mills has a poetic and visionary style of his own, capable of uncovering the beauty in horror and the horror in beauty… The Lord Came at Twilight is a significant and sophisticated contribution to modern weird fiction.”

Oliver is the undisputed master of the modern Jamesian ghost story and one of my favorite writers, full-stop, the author of The Dracula Papers and a number of stunning short story collections. One such collection, 2011's Mrs Midnight, includes “The Brighton Redemption,” my favorite contemporary ghost story, which weaves elements of the real-life Constance Kent case into a densely layered and deeply sad tale of murder, guilt, and redemption.

Other recent reviews of the collection can be found online at Seven Days, The Ginger Nuts of Horror, the Chthonic Matter blog, Innsmouth Free Press, and The Arkham Digest.

Wednesday, February 19, 2014

The Lord Came at Twilight

I am delighted to announce that my first collection of short fiction is now available for pre-order from Dark Renaissance Books. 

The Lord Came at Twilight will be released as a limited edition hardcover on March 10th to be followed by a trade paperback release in the spring. The hardcover edition will feature full-color boards by Daniele Serra, frontispiece and interior illustrations by M. Wayne Miller, and a stamped front cover in lieu of a book-jacket. The trade paperbacks will feature the cover by Daniele Serra pictured at right. 

In addition to the limited hardcover and trade paperback editions, there will be a deluxe hardcover edition of the collection (limited to 26 copies), which will include two additional short stories: “Silently, Without Cease” and “Lilacs in November.”

Some early reviews of the collection can be found online at Critical Mass, Innsmouth Free Press, and The Arkham Digest.  

From the back-cover:

I know them, these hills.

In the foothills of the Green Mountains, a child grows up in an abandoned village, haunted by memories of his absent parents. In a wayside tavern, a murderous innkeeper raises a young girl among the ghosts of his past victims. Elsewhere the village of Whistler’s Gore is swept up in the tumult of religious fervor, while in rural Falmouth, the souls of the buried dead fall prey to a fungal infestation.

This is New England as it was once envisioned by Hawthorne and Lovecraft, a twilit country of wild hills and barren farmland where madness and repression abound. The Lord Came at Twilight presents 14 stories of doubt and despair, haunter and haunted, the deranged and the devout.


Introduction by Simon Strantzas
The Hollow
MS Found in a Chicago Hotel Room
Dust from a Dark Flower
The Photographer’s Tale
Whistler’s Gore
The Wayside Voices
John Blake
The Falling Dark
The Tempest Glass
House of the Caryatids
The Naked Goddess
The Lord Came at Twilight

Advance Praise for The Lord Came at Twilight:

“Reading the stories in this wonderful debut collection from Daniel Mills is like waking into an older, haunted America. The God of the Puritans holds sway, with terrible power and terrible beauty. The night is wondrous with spirits. Though these stories bear the influence of Hawthorne, Lovecraft, and Palliser, the numinous dread that fills them is his alone. Mills recalls to us America’s own Dark Wood, and it is lovely to behold.”  

-- Nathan Ballingrud, author of North American Lake Monsters
“Daniel Mills is the Janus of supernatural fiction. His gaze is fixed on both the genre’s past masters and on realms never before explored. The tales in this book are haunting and are woven with a most eloquent darkness.”  

-- Richard Gavin, author of At Fear’s Altar

“The stories in Daniel Mills’s excellent collection have their roots in the grand tradition of the American Gothic that begins in Poe and Hawthorne and flows through such descendents as Chambers and Ligotti. Tales in the truest sense of the word, these narratives range through the styles and conventions of their predecessors, but in a way that is distinct from mere pastiche, however loving. Instead, these stories inhabit the modes of the past as a means to approaching a profound darkness, one physical and metaphysical. A pleasure to read, Daniel Mills’s fiction would draw approving nods from any of the austere presences in whose literary footsteps he is following.”  

-- John Langan, author of The Wide, Carnivorous Sky and Other Monstrous Geographies

“Elegant and subtle, Daniel Mills’ remarkable debut Revenants was a gift, and with The Lord Came at Twilight, he returns with a collection of graceful hauntings that bring the full range of his eerie and deeply unsettling literary powers to bear. You, lucky reader, are about to be taken on a journey with a true Lord of Twilight… I envy you.”  

-- Joseph S. Pulver, Sr., author of The Orphan Palace

Wednesday, December 18, 2013

2013: Five Books, Four Seasons

In 2013, I took a new job in Burlington, VT which required me to ride the bus into town each morning. This increased my reading time considerably -- as in 1-2 hours every day -- which allowed me the freedom to read more widely than in previous years. Anyway, here are some of the past year's highlights, paired with the season in which I read them.

Winter 2012-2013.
Richard Gavin - At Fear's Altar

Novella "The Eldritch Faith" closes out Richard Gavin's remarkable fourth collection. It's a deeply moving story of terror and yearning that creates within its 100-odd pages a new vocabulary of image and symbol by which to discuss the numinous, "the darkly splendid realm" of Gavin's imagination. Gavin's prose style reminds me a bit of Machen's The Hill of Dreams but reformulated for the Twenty-First Century, which is to say, it's gorgeous. And don't miss the other stories in the collection either. "Chapel in the Reeds" makes for one hell of an opener while "King Him" is one of the most disturbing stories I read this year (and yes, that is a compliment).

Spring 2013.
L.P. Hartley - The Go-Between

I read a total of six L.P. Hartley novels in 2013, all of which were concerned in large or small part with the vicissitudes of boyhood and adolescence. Of these The Go-Between is probably the best known, and even if you have not heard of it, you have certainly heard the opening lines: "The past is a foreign country: they do things differently there." Written when Hartley was in his late fifties, the novel is set in the summer of 1900 on the eve of a new century, one which seems to offer great promise. Similarly, our narrator is a boy on the cusp of young adulthood.  There is a clear parallel here -- i.e. our shared history vs our own private pasts -- and it's plain enough from the beginning how this story has to end. Nonetheless the novel retains a shattering power, while its exploration of boyhood, that foreign country, has not been equaled.

Summer 2013.
J.L. Carr - A Month in the Country

Carr was fifty-one when his first novel appeared in 1963 and nearly seventy by the time A Month in the Country propelled him to unexpected fame. Carr was always something of an eccentric -- a former headmaster turned mapmaker, publisher, amateur stone-carver, church preservationist, and stove-fancier -- and his fiction is likewise difficult to categorize. Some of his novels are grimly serious (such as A Season in Sinji) while others are purely comic (such as The Harpole Report) while still others land somewhere in between, like A Month in the Country, which is simultaneously a tribute to a single glorious summer and bittersweet meditation on nostalgia and art, what is lost and what remains.

Autumn 2013.
Isak Dinesen - Seven Gothic Tales

2013 was the year in which I finally committed myself to reading Dinesen's work, reading Out of Africa, Shadows on the Grass, and Seven Gothic Tales back to back this fall. The latter volume is one of the finest collections of short fiction I have come across: seven stories which in their subtlety, restraint, and sense of the mysterious surpass even the finest efforts of her contemporaries. All seven tales are equally strong, but "The Supper at Elisnore" is my favorite, a ghost story like no other with its bleakly comic tone and ruminations on loss, faith, and the lure of the forbidden.

Winter 2013-2014.
Charles Palliser - Rustication

It's no secret, I suppose, that Palliser is my favorite contemporary writer, and with Rustication he returns with his first novel in 13 years. In contrast with The Quincunx or The Unburied, Rustication is a slim and wonderfully readable novel of some 300 pages that nonetheless contains within it all of the mystery and complexity of Palliser's longer works. It is also unquestionably the darkest of his books, surpassing even The Sensationist in this respect: a maddeningly complex Gothic novel and murder mystery that repays multiple readings. Case in point: I read Rustication three times during the months of November and December and my understanding of the events it depicts changed dramatically with every reading.

Other Noteworthy Reads:

Hair Side, Flesh Side by Helen Marshall, Never Bet the Devil by Orrin Grey, Testament of Youth by Vera Brittain, The Towers of Trebizond by Rose Macaulay, Eustace & Hilda by LP Hartley, Asta's Book by Barbara Vine, Le Grand Meaulnes by Alain-Fournier, The Fountain Overflows by Rebecca West, The Astonishing Life of Octavian Nothing, Traitor to the Nation by MT Anderson, The Battle of Pollocks Crossing by JL Carr